FIELD.IO is a global creative, design, and innovation studio based in London, blending art, design, and technology to shape visionary brand experiences. Founded by Marcus Wendt and Vera-Maria Glahn, the studio explores the intersection of creativity and computation to craft immersive storytelling, digital environments, and future-facing brand systems. FIELD.IO partners with leading organizations such as Nike, Google, and Audi, delivering work that moves minds and fuels imagination. Recognized internationally for its pioneering approach to generative design and interactive media, FIELD.IO continues to define the frontier of creative intelligence for a living world.
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Steven Heller interviews Houston-based designer Jennifer Blanco of Field of Study about her self-published book 'How Not To Run a Graphic Design Studio & Other Hard Lessons.' The conversation explores the realities of running a small design business, balancing creativity with sustainability, and the design philosophy behind the book’s approachable yet rigorous visual style. Blanco reflects on lessons learned from experience and the importance of authenticity and continual learning in studio practice.
The Brand Identity interviews Marcus Wendt, founder of FIELD.IO, about the studio’s hybrid approach that merges design, technology, and AI into adaptive brand systems. Wendt discusses FIELD.IO’s evolution since 2009, its work for global clients like Nike and IBM, and its philosophy of learning through prototyping and iteration. The conversation explores how creative intelligence and responsive environments are reshaping brand communication.
Motionographer reports that Digital Design Days will celebrate its 10th anniversary in May 2026 with its most ambitious edition yet, featuring over 100 speakers, workshops, and immersive installations in Milan. Founded by Filippo Spiezia, the event has become a global hub for digital design, innovation, and AI-driven creativity. The 2026 edition will include partners like Figma and Canva and a special installation by Rare Volume.
The Brand Identity interviews CM.SUPPLY founder Mátyás Czél and Design Lead Róza Velkei about building a globally recognized design studio from Budapest. They discuss the studio’s philosophy of merging branding and product design, the growth of their team, and their role in co-founding the POV Budapest design conference. The conversation explores the challenges of operating from a smaller creative market and the importance of motion, interaction, and cultural authenticity in their work.
The article profiles Alexander Newman’s reissue of 'Greensleeves: The First 100 Covers', a book celebrating the first hundred vinyl sleeves from the legendary reggae label Greensleeves Records. The new edition expands on the original 2010 release, featuring archival photography, interviews, and design references to the label’s visual legacy. Newman collaborated with Light Project Photography and drew inspiration from Tony McDermott’s iconic artwork and typography.
At the September 2025 Nicer Tuesdays event in London, Robin Howie of Fieldwork Facility discussed the studio’s design work for the V&A East Storehouse. The project focuses on creating an immersive museum environment that embodies radical access, sustainability, and thoughtful design through bespoke typefaces and intuitive interfaces.
It’s Nice That announces the September 2025 edition of its Nicer Tuesdays event in London, featuring talks by Anthony Burrill, An Chen, and Robin Howie of Fieldwork Facility. The evening will explore topics from timeless typography to place-based design and creative balance, with music and refreshments provided by sponsors. The event will take place at EartH Hackney on 2 September 2025.
The article explores whether design awards remain relevant in today’s creative industry, questioning their accessibility, cost, and fairness. Featuring perspectives from Robin Howie of Fieldwork Facility and Pum Lefebure of Design Army, it contrasts skepticism about bias and expense with arguments that awards can still boost visibility, morale, and business growth. The piece also touches on how awards can influence visa eligibility for international creatives.
Creative Boom’s feature explores how Fieldwork Facility designed the wayfinding and interpretation system for the V&A East Storehouse in London. The Hackney-based studio reimagined the museum experience as an 'operating system for culture,' emphasizing accessibility, modularity, and sustainability. The project integrates custom typography, recycled materials, and interactive visitor touchpoints to create a flexible, inclusive environment.
The article profiles Studio Harvest, a Falmouth-based collective founded by Jessie Collins and Clara Holmes, which merges graphic design with culinary experiences to reconnect people with food. Their hand-cut, Riso-printed identity for Harvest reflects themes of community, sustainability, and storytelling through design. The project extends beyond visuals into workshops and supper clubs that celebrate local produce and shared meals.
Episode 124 of Creative Boom’s podcast 'The Spark' discusses creativity, AI, and work-life balance. Host reflections include Seema Sharma’s insights on human authenticity in an AI-driven world, industry news such as Rankin’s agency bankruptcy and Halo Studios’ rebrand, and tips for maintaining creative balance. The episode also highlights trends in audio-visual design and recommends a biography of photographer Lee Miller.
The article by The Brand Identity, written by Poppy Thaxter, curates eight branding and design projects that explore the evolving concept of health. It highlights how studios around the world approach physical, mental, and social well-being through thoughtful design across wellness, femtech, and mental health sectors.
The article highlights seven standout coffee brand identities from studios around the world, including B&B Studio, Fieldwork Facility, and Alter. Each project showcases unique approaches to branding, from bold color palettes and modular systems to illustration-led packaging and custom typography. The roundup celebrates creativity and diversity in coffee branding design.
Field of Play created a refreshed brand identity for Puresport, a wellness and performance brand founded by former rugby player Grayson Hart. The new identity uses geometric patterns inspired by running tracks, a muted color palette, and a sophisticated pairing of Tiempos and Gerstner-Programm typefaces to balance wellness and performance. The packaging features a sleek reveal box developed in collaboration with McCarthy Studio and photographer Kirsty Dawn.
Field of Play created a dynamic, motion-led identity for Australian tech company Nakatomi, combining bespoke typography with kinetic movement. The system features a custom typeface, Nakatomi Display, alongside Klim Type Foundry’s Söhne, and a refreshed pink hue that nods to the brand’s original palette. The result is a digital-first identity that balances playfulness and professionalism.
Fieldwork Facility created a time-inspired brand identity for London coffee roaster and café Intermission. The concept centers on the idea of 'time' as a hero, using an ellipsis logo, circular typography, and warm, optimistic visuals. Collaborations with illustrator Tomi Um and motion designer T.R. Bennett add character and depth to the brand’s storytelling.
Melbourne-based studio SPGD developed a refined and understated brand identity for Field Office Architecture, reflecting the firm's ethos of simplicity and endurance. The identity employs a subtle grid system and monochrome palette, creating a timeless yet contemporary presence across print and digital applications. The design emphasizes understated sophistication and gradual visual revelation.