ED. is a digital-first brand and web studio based in Australia, collaborating across Australian and U.S. time zones. The studio specializes in crafting distinctive brand identities, intuitive digital experiences, and high-performing websites for forward-thinking clients. Led by a team of multidisciplinary designers and strategists, ED. combines strategic insight with refined aesthetics to deliver impactful, user-centered design solutions. Known for its contemporary approach and global perspective, ED. partners with startups and established brands alike to build cohesive digital presences that drive growth and engagement.
Technologies detected on Ed's website.
The article profiles photographer Anthony Wilson’s photobook 'Mawmaw', which documents West Virginian grandmothers raising their grandchildren. Published by Pomegranate Press and Guest Editions, the project captures the emotional and social realities of 'grandfamilies' through tender, analogue portraiture. Wilson’s five-year project blends empathy, storytelling, and darkroom craft to portray Appalachian life with depth and dignity.
UnderConsideration’s Brand New briefly announced a new logo and identity for Simplehuman, designed by the studio Abbreviated. The post, categorized under 'Spotted', highlights the rebrand’s use of a sans serif, uppercase wordmark and notes it as an evolution of the previous identity.
Applied Design has reimagined JFK Airport’s Terminal 8 identity, creating a cohesive brand system that captures the spirit of New York. The refreshed design features a palette inspired by the view from a plane window, a hidden figure-eight motif, and a voice rooted in Queens culture. The project unifies over 60 retail and dining spaces under one coherent visual and verbal identity.
The Brand Identity interviews Paris-based designer Alan Madić about launching Edito Type, an independent type foundry that evolved from his design and art direction practice. Madić discusses the foundry’s research-driven approach, its focus on display typefaces, and collaborations such as the release of Initiale with Clara Dousson. The conversation explores how Edito bridges bespoke commissions and retail releases while drawing inspiration from mid-20th-century editorial design.
Design studio Wedge refreshed the Stone & Skillet brand to support its retail expansion. The new identity emphasizes the cast-iron skillet for distinctiveness and balances sophistication with approachability. The redesign aims to strengthen shelf presence and prepare the brand for future growth.
This article from It’s Nice That’s 'Creative Career Conundrums' column, written by Kat Wong, addresses a reader’s concern about being too old at 28 to change creative careers. Wong reassures readers that age is not a barrier in the creative industry and emphasizes the value of transferable skills, strategic career moves, and showcasing personal creative interests online. The piece also links to job listings from If You Could Jobs and related career resources.
Wieden+Kennedy created a new advertising campaign for Yeti that replaces the brand’s name in its logo with four-letter words tied to outdoor activities and hobbies. The campaign highlights Yeti’s widespread presence among outdoor enthusiasts and celebrates the brand’s connection to adventure and lifestyle pursuits.
UnderConsideration’s Brand New briefly notes the new logo and packaging redesign for Bob’s Red Mill, created by Turner Duckworth in collaboration with the brand’s in-house team. The update modernizes the familiar red script and packaging while maintaining the brand’s heritage feel.
The Collected Works created a hand-drawn brand identity for Sooki Sesame Oil, a Korean sesame oil brand founded by Joseph and Hannah Choi. The design centers on a character illustration of 'Sooki' and a playful cast of food icons, paired with a tactile label and a red, white, and blue palette referencing both Korean and American heritage. The identity balances warmth and modernity through illustration, typography, and material choices.
UnderConsideration’s Brand New reviewed the new logo and identity for UK radio brand KISS, designed by NOT Wieden+Kennedy. The rebrand embraces a bold, bright, and neon aesthetic, reflecting the station’s energetic and youthful personality. The article highlights the witty and vibrant direction of the new identity.
This article from It’s Nice That’s 'Creative Career Conundrums' column, written by Kat Wong of Oh Yeah, offers advice to mid-level designers seeking to transition from design execution to creative direction. Wong encourages proactive communication with managers, strategic exposure, and consistent effort to build trust and leadership experience.
The article announces the open call for DEMO Festival 2027, a global motion design event founded by Studio Dumbar/DEPT® and Global. The festival transforms public advertising screens into a 24-hour showcase of experimental motion design across cities worldwide. It highlights the event’s collaborative spirit, open submission process, and its mission to celebrate creativity in public spaces.
Creative Boom profiles Seoul- and London-based designer Sohee Chae, founder of Layer/Ply, whose tactile and experimental approach blends methodical structure with intuitive process. The article explores her projects including 'Letting Go in the Cycle', 'The Shape of Change', and the brand identity for fashion label Second Skin, highlighting her use of shibori-dyed typography and handcrafted techniques. It also discusses her dual practice between Project Room and her independent studio, reflecting on how Seoul and London shape her design philosophy.
The Dieline article spotlights The Collected Works’ packaging design for Sooki Sesame Oil, which transforms a pantry staple into a display-worthy product. Featuring a chunky retro wordmark, illustrated mascot, and clear glass bottle with a wooden stopper, the design balances warmth, cultural roots, and modern appeal.
The article profiles 'Hellcare Regular', a conceptual typeface created by Parker Jones and Rajshree Saraf, art directors at Wieden+Kennedy New York. The font parodies doctors’ notoriously illegible handwriting as a commentary on the inaccessibility and confusion of the American healthcare system. Through experimental typography, the designers transform personal frustration into a political and emotional design statement.
Creative Boom reports on the return of Birmingham Design Festival 2026, themed 'Change'. Co-founders Luke Tonge and Dan Alcorn discuss the festival’s evolution, its inclusive approach with thousands of free tickets, and its diverse lineup of over 60 speakers across graphic, digital, and analogue strands. The event highlights Birmingham’s creative community and its commitment to accessibility and collaboration.
Creative Boom’s feature by Tom May explores Remi Kabaka Jr. of Gorillaz speaking at Ibiza Art Weekend, an ambitious art-meets-nightlife event organised by W1 Curates and The Night League. In conversation with Tafari Hinds and Mark Dale, Remi reflects on his roots in London’s underground art scene, the visual philosophy behind Gorillaz, and his belief that fearless imagination defines the future of creativity.