Loop Design Cases
Designers behind the work
Designers and creative leads credited on Loop projects in press coverage.
Designers and creative leads credited on Loop projects in press coverage.
Creative Boom interviews Paul Metsers, founder of Akoya Mockups, about his mission to create realistic, emotionally resonant mockup resources for designers. Drawing on his background in fashion photography and design, Metsers focuses on authenticity and the tactile qualities of light and texture. The piece explores how Akoya Mockups fills a gap in the market for realistic presentation tools and has built a strong creative community.
BP&O features Landor’s new place branding for Chicago’s West Loop, commissioned by the West Loop Community Organization. The identity centers on a flexible looping graphic device symbolizing connection and community, supported by bold colors referencing the area’s industrial heritage. While the concept and interactivity are praised, the article notes that the visuals risk feeling generic despite their strong conceptual grounding.
SEESAW features the website for Loops, a modern email platform designed for software companies. The listing highlights the site's clean design and use of multiple contemporary typefaces, positioning Loops within the SaaS and productivity space.
SEESAW features the website for Loops, an email platform designed for modern SaaS companies. The listing highlights the site's clean design and use of multiple contemporary typefaces such as Roboto, Matter, and Inter.
Paper Stone Scissors created a refined, sustainable identity for Reloop, a re-commerce fashion initiative launched by GlamCorner through David Jones. The design combines luxury and ecological sensibilities through natural color palettes, elegant typography, and a circular monogram symbolizing reuse and sustainability.
Kyiv-based studio CREVV created a travel-inspired visual identity for Creative Loop, an annual design and advertising event in Kyiv. The 2019 edition focused on Berlin, featuring speakers such as HORT and Studio Yukiko. The identity uses typographic elements referencing transport tickets, with a palette of black, red, and white and typefaces Arial and VCR OSD Mono.