The newspaper serif commissioned by The Times of London that became the world’s default text face. View at Monotype →
Used by Pentagram (2), Stink, Base Design, Werklig, Davy Denduyver, Porto Rocha
Set for Williamstown Theatre Festival (2), Art Gallery of South Australia, ℓiⱴε, Onslow, Pure Waste, Stink Studios
Cases set in Times New Roman, as credited by the studios in their own writeups.
Brand Identity For Williamstown Theatre Festival 2025
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Sign in freeThe Brand Identity features Bruges-based designer Davy Denduyver’s playful typographic identity for Onslow, a casual restaurant led by chef Lieven Vynck. The project embraces a no-nonsense tone, combining Helvetica Neue and Times New Roman in bold, squished forms, paired with warm beige and navy hues. Hand-drawn elements and nostalgic materials reflect Onslow’s approachable, unpretentious dining ethos.
The article spotlights four finalist book projects from the Antalis Creative Power Awards’ Reports & Publishing category, each showcasing innovative uses of paper and print. Featured works include Kuudes’ tactile catalogue for Chiharu Shiota, Laura Coombs’ serene Ground/Work, Nous’ neon-inspired Hong Kong Neon Sign Artworks, and Tina De Souter’s delicate Until the End. The feature celebrates materiality, craftsmanship, and the expressive potential of paper in contemporary editorial design.
The Brand Identity features PORTO ROCHA’s new identity for the post-digital agency live. The design embraces Times New Roman to create an open-source, accessible wordmark complemented by radiant yellow and simple materials. The result reflects live’s human-focused, technology-conscious philosophy with an honest and optimistic tone.