Graphik — 11 cases

Commercial Type · Christian Schwartz · 2009

An understated plain grotesque inspired by mid-century European lettering and unassuming poster types. View at Commercial Type →

Used by Saint Urbain, Bürocratik, Focus Lab, Universal Favourite, Anagrama, Parker

Set for Artifact, Bürocratik, CADA, Caldea, Emblem Capital, Entrée, Heyday, Little Larch, Locals.org, Megafon

Cases set in Graphik, as credited by the studios in their own writeups.

Entree by Saint Urbain

Brand Identity And Packaging For Entrée Meal Delivery Service

Delivery, Marketing, Meal, Packaging, Palette, Typography

Burocratik 18 Years by Bürocratik

Interactive Website And Book For Bürocratik 18th Anniversary

Interaction, Storytelling, Type, Website

Artifact by Focus Lab

Brand Strategy And Visual Identity For Artifact

Experience, Insight, Messaging, Technology

Cada Branding Campaign by Universal Favourite

Brand Identity And Campaign For CADA Youth Entertainment Platform

Audience, Voice

Balzac by Anagrama

Brand Identity And Website Design For Balzac Real Estate Development

Architecture, Material, Sculpture, Technology, Website

Myers Briggs by Parker

Rebrand For The Myers & Briggs Foundation

Geometry, Growth, History, Personality, Re-brand, Typography

Graphik in the news

Creative Boom’s article by Tom May surveys the design community to identify 50 typefaces expected to trend in 2026. The roundup highlights a mix of contemporary and classic fonts from leading foundries such as Grilli Type, Klim, ABC Dinamo, and Pangram Pangram. It reflects a broader trend toward revisiting familiar grotesques and serifs with modern refinements for digital and branding applications.

Studio RosesStudio Katie KerrJoan CreativeRevolutEurosporteditorial

"Tuma Homeware Embraces Earthy Tones in Cozy Brand Design"

It's Nice That · Dec 5, 2024

The article profiles designer Ilía Tuma’s creation of the visual identity for his homeware brand, Tuma. Built around earthy tones, warm illustrations by Dasha Surma, and a geometric logo crafted with type designer Kirill Turygin, the identity reflects a balance between functionality and emotional design. The project merges design, craftsmanship, and self-expression in a cohesive brand world.

TumaTumabranding

For Good Design Lab Crafts Warm, Tactile Brand for Heartful

The Brand Identity · Dec 4, 2024

For Good Design Lab developed a tactile and warm brand identity for Heartful, a hospitality platform focused on community and sustainability. Led by founder and creative director Daniel Sammut, the project features a modular heart-based logo, custom typography using Family and Graphik, and painterly illustrations by Jackson Joyce. The identity emphasizes connection, inclusivity, and a sense of home through color, pattern, and texture.

For Good Design LabHeartfulbranding

The Edit: five projects including Bravo’s brand for Sweet Cheeks’ gelato that you really need to see

The Brand Identity · Aug 28, 2024

The Brand Identity’s biweekly feature ‘The Edit’ spotlights five standout design projects from around the world. Highlights include Bravo’s playful AI-driven branding for Singaporean gelato brand Sweet Cheeks, Slope’s pixel-inspired identity for Dream3D, Blair Hodge’s refined design for Cape Town’s Bar Mona, Otherwise’s joyful refresh for children’s brand Little Larch, and Osvald Landmark’s new typeface Mule Cargo. The article celebrates creativity across branding, typography, and digital design.

BravoSlopeOtherwiseSweet CheeksDream3Dbranding

Graphik — 11 cases

See all 11 cases set in Graphik

Graphik in the news