Mana Design Cases
Designers behind the work
Designers and creative leads credited on Mana projects in press coverage.
Designers and creative leads credited on Mana projects in press coverage.
Amsterdam-based studio Jetway developed a minimalistic brand identity for Waterloo House, a central Amsterdam property project by Peak Development and LaSalle Investment Management. The identity bridges old and new through a restrained typographic system, neutral architectural colors, and understated motion design. The result reflects a 'modern classic' philosophy that balances heritage with contemporary clarity.
The article by The Brand Identity, written by Poppy Thaxter, showcases nine design projects that exemplify the power of print finishing techniques such as embossing, debossing, and foil stamping. It highlights how studios like Studio Sly, Hugmun, and DutchScot use tactile materials and craftsmanship to elevate packaging and identity design. The feature celebrates the artistry and technical precision of print production in contemporary branding.
Vienna-based studio PARTERRE created a subdued yet tactile identity for photographer Max Manavi-Huber, inspired by his analogue and nature-focused work. The design uses earthy tones, uncoated papers, and Dinamo’s Gaisyr typeface to balance technical precision with human warmth. The project extends across print and digital touchpoints, including a website and stationery suite.
Toronto-based studio Vanderbrand developed a refined brand identity for One Delisle, a residential tower designed by architect Jeanne Gang. The project features a bespoke typeface created by Letters from Sweden, complemented by Spezia and GT Super, and a monochromatic palette accented with light sage. The result is a sophisticated, architectural identity reflecting the building’s elegance and context.
The Brand Identity features Vanderbrand’s visual identity and strategy for Junction House, a boutique residential project by Slate Asset Management in Toronto. The identity uses a clean sans serif typographic approach with a black, blue, and white palette to reflect the architectural sophistication of the development.
The Brand Identity interviews Paul Blackburn, founder of Studio Blackburn, about the studio’s evolution, design philosophy, and notable branding projects including Trainline, Positive News, and UCL School of Management. Blackburn discusses the studio’s modernist approach, collaborative processes, and influences from designers like Wim Crouwel, Otl Aicher, and Kenya Hara. The conversation highlights Studio Blackburn’s focus on clarity, typographic precision, and meaningful simplicity in branding.