Designers and creative leads credited on Dance projects in press coverage.
Standard Projects created a cinematic and technically precise brand identity for London-based post-production studio Microdot. The identity draws from film production tools and visual language, balancing artistic experimentation with disciplined execution. Using a monochrome palette and Akzidenz Grotesk, the system captures Microdot’s ethos of making the invisible visible through subtle, immersive design.
It’s Nice That announces the November 2025 edition of its Nicer Tuesdays event in London, featuring talks from Porto Rocha, Jennie Baptiste, Boomranng Studio, and Alice Isaac. The lineup spans design, photography, and collage, with discussions on identity, culture, and creative process. The event will be held at EartH Hackney with music by Epidemic Sound and sponsorship from El Rayo and Lovecorn.
The Brand Identity’s 'The Edit' roundup highlights five creative projects, including Hey Studio’s colourful packaging for its own Hey Hola Coffee. Other features include Yee Poon’s rave-inspired identity for Dry Run, TRY Design’s joyful rebrand for Dansekampen, Diego Aguilar Villalobos’ dualistic identity for Virreina, and Struckmann Studio’s tech-forward rebrand for Northware. The article showcases diverse global design approaches across branding, packaging, and digital identity.
Written by Tom May for Creative Boom, this article explores the potential U.S. ban on TikTok and its implications for creators and the wider digital landscape. It outlines the legal and political background, the likely technical and economic consequences, and how creators might adapt by diversifying to other platforms. The piece also considers the global ripple effects of a U.S. ban on TikTok usage and culture.
The Brand Identity’s interview with Argentine designer Julia Miceli Pitta explores her freelance practice, which spans brand identity, exhibition design, and teaching. She discusses her multidisciplinary approach, global collaborations, and recent projects including a brand identity for Nijad Dance Artists in New York. The conversation highlights her emphasis on flexibility, curiosity, and continuous learning in design.
The interview with London-based designer Callin Mackintosh explores his journey from working in established studios to launching his independent practice focused on editorial design. He discusses his inspirations from 90s culture, his process for creating book designs, and the challenges and rewards of working solo. Mackintosh reflects on key projects like the Street Fighter II oral history book and his experiences at studios such as Bibliothèque.
The Brand Identity’s interview with New York-based creative director Natalee Ranii-Dropcho explores her freelance journey, multidisciplinary approach to brand storytelling, and her role at PORTO ROCHA. She discusses balancing strategy and copywriting, building the Kin Euphorics brand, and co-developing the Design Threads report. The conversation highlights her philosophy of curiosity, autonomy, and embracing plurality in creative work.
The interview with motion designer Connor Campbell explores his journey from graphic design to founding his London-based motion studio in 2019. He discusses his early experiences at It’s Nice That, his transition to freelancing, and his experimental approach to motion design. The piece highlights his collaborations, inspirations, and vision for the studio’s future.