Don Design Cases
Designers behind the work
Designers and creative leads credited on Don projects in press coverage.
Designers and creative leads credited on Don projects in press coverage.
UnderConsideration’s Brand New briefly covers Interbrand’s redesign of the Ronald McDonald House logo and identity. The update features a heart and house motif rendered in red with a rounded sans serif proprietary typeface, emphasizing warmth and care. The article notes the project as part of the non-profit sector and highlights the refreshed visual simplicity.
UK branding studio The Click has created a new identity for Imperial College London that focuses on belonging and individuality. Each department receives a bespoke 'I' symbol reflecting its unique character, forming a flexible and inclusive visual system. The project aims to foster pride and community across the university through adaptable branding and everyday applications.
Creative Boom’s May 2026 'Booms & Shakes' roundup highlights major movements in the design and branding industry. Belfast studio Pale Blue Dot led the brand creation for Tomoro.ai, recently acquired by OpenAI. The article also covers leadership changes across WPP, Landor, McDonald's, and other agencies, signaling a strong focus on branding, AI, and strategic growth.
Creative Boom’s 2026 roundup highlights 15 design studios that the creative community most admires, based on its annual State of Creativity survey. The article features a mix of established and emerging studios such as OK-RM, Zak Group, Porto Rocha, Hey Studio, and Accept & Proceed, showcasing their distinctive approaches and recent projects across branding, culture, and design innovation.
The Brand Identity interviews Polish designer Piotr Stala about running his solo branding studio, STALA, which serves international clients across industries. Stala discusses his philosophy of 'Refined Longevity,' his structured frameworks for client engagement, and his belief in deep, strategic design over fleeting trends. The conversation explores his work for Poseidon Aerospace, LÖF, Graphon, and Accumeo, as well as his perspective on working independently from Poland.
The article spotlights the new Four Corners publication 'London’s Ours!', which revisits the radical visual culture of the Greater London Council during the early 1980s. Designed by Claire Mason and written by Hazel Atashroo, the book explores how the GLC used posters, billboards, and community art to challenge Thatcher-era politics and promote progressive causes. The feature delves into the design choices, historical context, and enduring influence of this politically charged visual legacy.
The article profiles Brussels-based design duo Bravas Graphix, composed of Paul Peyrolle and Jules Rousselet, known for their punk-inspired, collage-heavy posters and zines. Their work merges academic composition with spontaneous, bootleg aesthetics, using analogue techniques like cutting, scanning, and acetone transfers to resist digital uniformity. The duo’s vibrant, rebellious style celebrates remix culture and anti-corporate visual expression.
