Dito – Estúdio de Design is a Brazilian design practice led by Vinicius Lira, working across visual identity, logos and lettering, packaging and editorial design. The studio builds custom, aesthetically driven solutions for brands looking to connect with their audience, collaborating closely with each client to reflect their personality and values. Its portfolio is rooted in independent Brazilian brands — among them Ially, Spike, Villa di Rosa, Nanica Brasil, Tutto Peppe and Lira Burger — alongside an ongoing series of yearly logo and lettering collections.
Katie Cadwell’s weekly Creative Career Conundrums column for If You Could Jobs addresses how designers can handle a boss overly reliant on AI-generated mockups. She advises demonstrating better design practices through curated examples, improved visuals, and collaborative workshops to raise studio standards without confrontation.
The article profiles creative director Christopher A. Ritter’s speculative rebrand of the Cincinnati Ballet, which explores how motion and emotion can reshape the perception of a traditional arts institution. Using dynamic grids, blurred typography, and a proposed collaboration with fashion brand Aimé Leon Dore, Ritter aims to bridge classical elegance with contemporary cultural relevance. The project also imagines partnerships with local Cincinnati brands to strengthen the city’s cultural identity.
Studio Chong created a conceptual cat food brand called Smackk! to bring Bendito Mockup’s Manolo & Bendito collection to life. Inspired by founder Ade Chong’s cat, the playful and planet-friendly identity uses bold colors, minimal illustrations, and typefaces VC Henrietta and Agrandir to reimagine pet food branding. The project demonstrates Studio Chong’s strategic and creative approach to storytelling through design mockups.
Elizabeth Goodspeed explores the evolving role of mockups in contemporary graphic design, tracing their rise from simple presentation tools to cultural signifiers within the creative community. The article examines how mockups have become both a necessity and a status symbol, shaping how designers present, evaluate, and even create work. It also reflects on their educational value and the pressures they create for emerging designers.
The Brand Identity interviews Bandiz Studio’s Creative Director David Heofs as the Madrid-based multidisciplinary studio celebrates its 10th anniversary. Heofs reflects on the studio’s evolution from a solo practice to a small team working across graphic design, video, and photography, balancing commercial and self-initiated projects. The discussion highlights their experimental typographic approach, collaborative structure, and inspiration from underground and Japanese design movements.