1 case across 1 studio
Designers and creative leads credited on Pca projects in press coverage.
Creative Boom · Oct 8, 2025
Creative Boom’s article, written by Abbey Bamford, explores the growing importance of custom typography in brand identity, featuring insights from Studio DRAMA’s business director Frankie Guzi. It highlights how bespoke typefaces have evolved from luxury items to strategic assets, with examples from brands like Heinz, Mozilla, and RSPCA. The piece debunks myths around cost and complexity, positioning custom type as both a creative and financial investment for modern brands.
BP&O · Jun 6, 2024
BP&O’s feature by Emily Gosling reviews JKR’s comprehensive rebrand for the RSPCA, marking the charity’s 200th anniversary. The new identity introduces a custom typeface, vibrant color palette, and modern iconography while retaining the recognizable blue. The project balances heritage with contemporary appeal, aiming to strengthen the charity’s relevance and financial sustainability.
The Brand Identity · May 20, 2024 · Interview
The interview with Studio DRAMA’s co-founders William Richardson and Chris Nott explores their evolution into a brand-first type foundry. They discuss their collaboration with JKR on the RSPCA rebrand, resulting in the custom typeface Wilberforce Sans, and their philosophy of integrating branding strategy with type design. The article highlights their research-driven process, collaborative ethos, and growing recognition in the design industry.
The Brand Identity · Dec 1, 2023
The Brand Identity’s article by Poppy Thaxter highlights eight dynamic branding and identity projects within the music industry. Featuring studios such as Josephmark, Explorers Club, and Only, the roundup explores how design captures sound, movement, and energy across diverse music-related brands. It showcases a range of aesthetics, from bold and colourful to vintage and playful expressions.
The Brand Identity · Jul 12, 2023
The article, part of The Brand Identity’s 'The Edit' series, highlights five recent design projects. These include Studio Albin Holmqvist’s refreshed identity for Spotify’s RapCaviar, Most Studios’ rebrand for Nimly, Lucía and Beatriz Peralta’s identity for Las Margaritas, Illán Vega Pablo’s branding for Navlandis, and Studio Herrström’s work for the Stage app. Each project showcases distinct visual strategies across music, tech, hospitality, and logistics industries.

