2 cases across 2 studios
Designers and creative leads credited on Die Zeit projects in press coverage.
Creative Boom · May 6, 2026
Creative Boom profiles Innsbruck-based illustrator and artist Melanie Gandyra, whose work explores the intersection of art, ecology, and science. Known for her detailed illustrations and installations like TRIMMT EUCH, she uses mixed media to highlight environmental issues and the beauty of the natural world. The article traces her journey from Hamburg to the Austrian Alps, her influences, and her evolving practice that makes nature impossible to ignore.
Creative Boom · Apr 7, 2026
Creative Boom profiles Budapest-born illustrator Berta Vallo, whose maximalist, detail-rich works explore nostalgia, identity, and everyday clutter. Trained at Central Saint Martins and represented by Pocko, Vallo has created editorial illustrations for major publications like Die Zeit and Rolling Stone. Her self-initiated pieces, such as 'Lunch' and 'Still Life', reflect her experiences between London and Budapest and her fascination with the stories hidden in ordinary objects.
It's Nice That · Jul 23, 2025
The article profiles Dutch illustrator Hanneke Rozemuller, whose editorial work explores themes of psychology, philosophy, and the surreal. Drawing inspiration from Push Pin Studios and artists like Milton Glaser and Seymour Chwast, her dreamlike, textural illustrations use blue tones to evoke introspection and emotional depth.
It's Nice That · Jan 23, 2025
The article profiles illustrator Ramon Keimig and his evolution toward a more organic, nature-inspired visual language. Now based near Germany’s Black Forest, Keimig blends analogue and digital methods—such as printmaking, Risograph, and Photoshop—to create intricate works influenced by biological and cosmic forms. The piece explores how his environment and fine art studies have shaped his new approach to illustration.
It's Nice That · Oct 4, 2024
Liz Gorny’s opinion piece for It’s Nice That explores the precarious state of editorial illustration in 2024. Through interviews with illustrators Nishant Choksi and Sergio Membrillas, the article highlights shrinking budgets, the impact of AI, and the decline of magazine commissions. Despite these challenges, both artists express cautious optimism about the evolving landscape and new opportunities for creative expression.

