Designers and creative leads credited on Cor projects in press coverage.
The article explores the handcrafted production design behind Olivia Rodrigo’s music video for 'The Cure', led by Liam Moore. It details how a team of over two dozen craftspeople built a tactile world using cardboard, yarn, and stop-motion techniques under the direction of Jaime Gerin and Cat Solen. The piece highlights the balance between softness and severity in the visual storytelling and the artist’s hands-on involvement in the creative process.
UnderConsideration’s Brand New reviewed the new logo and identity for OpenCoreOS, designed by Further. The rebrand features a minimal, abstract monogram and pattern system in a black color palette, aligning with the brand’s fintech and technology positioning.
Steven Heller reports on the debut of the Peanuts Symphony, a new concert experience performed by the Seattle Symphony and produced by Gershwin Entertainment Corp. The event celebrates Vince Guaraldi’s music and marks key anniversaries for both his career and the Peanuts television specials. The production features original animated backdrops from classic Peanuts episodes.
The article covers photographer Derek Ridgers’ appearance at the first Nicer Tuesdays event of 2026 in London, where he presented a retrospective of his 50-year career capturing the city’s music and punk scenes. It highlights his early work with Island Records and his prominence as a key photographer for NME during its peak years.
It’s Nice That announces the lineup for May 2026’s Nicer Tuesdays event in London, featuring artist Murugiah, type designer Amber Weaver, photographer Delali Ayivi, and animators Will Anderson and Ainslie Henderson. The event will explore topics from surreal illustration and type publishing to Togolese identity and stop-motion animation for the BBC show Small Prophets.
DV Studio and filmmaking duo Twin collaborated on 'A Visual Exploration Into Jazz', a short film that translates the improvisational energy of jazz drumming into animated visual forms. Featuring UK drummer Mackwood, the project uses hand-drawn motion graphics and a fuzzy, analogue film style to evoke the spontaneity and rhythm of live jazz performance.
The article profiles graphic designer Vlad Boyko, who has recently established a shared studio in Antwerp and developed a distinctive visual style inspired by early 2000s club culture. His 2025 Colour Factory NYE campaign exemplifies his vibrant, collage-based approach and interest in nostalgic aesthetics. Boyko reflects on balancing freelance work, creative burnout, and the value of self-initiated, community-driven projects.
Baillat Studio created a brand identity for The Cortège, an immersive theatrical procession in Los Angeles exploring themes of grief, ritual, and transformation. The identity balances dualities of light and dark, ancient and modern, using gradients, symbolic motifs, and a refined typographic system. Without relying on imagery from the show, the campaign evokes mystery and sacredness through abstract design and atmospheric tone.